There is no denying that Pirates of the Caribbean: The Curse of the Black Pearl is the most entertaining movie I've seen in a very long time, and I think it's safe to say that I'm easily entertained and thus entertained often. For example, I find profound human suffering to be a hoot, and there's a lot of that going around.
That's not true. That last part is the definition of evil. Callous indifference and sadism are both evil, albeit in varying degrees and in different ways. That you've so let your guard down to evil as to not be shocked by such a baldly malicious statement literally turns my stomach. I am sickened by you and all that you represent. I can imagine you wearing a powdered wig, rouge, and feeding living lizards to yourself for the sole purpose of pleasing your foul, cavernous belly. I've seen the face of evil, and it is you. That said, I have no doubt that you also have your moments, and your dress sense is both irreverent and fresh.
Suffice it to say, Johnny Depp is rad. There's no getting around this. He always was. I'd just like to point out that I've been a Depp man since the 21 Jumpstreet era. This gives me the inner strength I need to get through the day. Soon, he will be massively large, much like "the sun, moon, and stars." (While you're at it, please "take these chains from my mi-i-i-ind.") Orlando Bloom was very good. Ring a ding. When is Geoffrey Rush not baaaaaad, as in bad means good, not bad meaning bad? In fact, the entire cast was really good. A lot of solid character actors, some without eyes. I've never liked Jonathan Pryce, but managed to convince me in the role of a simpering wimp.
Yeah, I'm not even going to point out that Keira Knightley is unambiguously luminescent presence in the movies.
Elvis Mitchell has a mega-crush on her that is getting embarrassing for all concerned. First, this: "Mr. Verbinski's staging is as vertiginous as an amusement park ride and places the wiry and beauteous tomboy Keira Knightley at the center. Her physical assurance suggests what Nicole Kidman might be like if she didn't spend so much time coughing tragically into handkerchiefs in an equally tragic pursuit of important roles." This is artfully done. He masks the ogling with a devastating aside about Nicole Kidman.
And then: "Ms. Knightley is strident and confident in her movement, an ability that makes her all the sexier and alluring, which is fortunate, given that her acting skills aren't quite as devastating as her looks." This is an eighth grade tactic. It's just not cricket. Right, so she's a really bad actor. Of course. The thing is, she's dope. She's just plain dope. There's no getting around it. The performance was excellent. Mitchell is yet again trying to mislead us into believing that he doesn't have an old man crush on Knightley, who was born in '83. (When I was three. I was already wearing shades and playing "Who Can It Be Now?" on an electric keyboard. That's not true. Who can it beeeeee now?)
I have to say, Portman was holding it down for a decade. She was the celebrity crush of all discerning thin-lipped men, and she established the raw power of the, and these are unfortunate and unnuanced tropes I'm about to introduce, stylish and slender (and brainy) Semitic "babes" who will redeem this civilization (the "West" broadly conceived, but the Mosaic aspect in particular: Israel and diaspora redoubts in America, France, South Africa, etc.) forever from any and all charges of being less than the greatest thing/place ever. This is Natalie Portman as a function of USA symbology. The 2002 MTV VMA awards were the right time for the counter-attack to begin. But Keira Knightley has snatched the mantle, and she's a limey. Good grief. There is no sense in which she's even Mediterranean rim, let alone Levantine. This is a world-historical crisis.
In the interests of full disclosure, I should note that I've even seen Where the Heart Is and Anywhere But Here. In fact, I've seen Anywhere But Here more than once, and I think I saw both of them the day they opened. (Mars Attacks, Beautiful Girls, and, of course, The Professional, are clearly just good movies, so I think that's legit). Whatever, man, that's loco. I'm not even going to try to justify that. Alright, I will. I am pretty indiscriminate when it comes to movie viewing.
Might I add that Jena Malone, another veteran of Lifetime movies that somehow made it to theaters, has suddenly become really, really good?
So yes, I am a loyalist. I'd have a dodgy rifle strapped to my back in Aragon, absolutely. And even I'm wavering on the Knightley question.
Back to Depp. Part of what is so cool about the man is that he lives in France. When it comes to symbology, I obviously am against France as a solidarist, chauvinistic, totalizing, anti-American fleshpot; that said, I'm down with France on nonconceptual grounds. As far as I know, Depp's decision to lay his dome there is not an ostentatiously anti-American gesture, and thank heavens for that. Even if it were, it's not clear that I'd be enraged, at least in his case. Contradictions are inescapable, and we should be careful in judging the personal decisions in others, particularly when we lack the rich context that we need to make responsible judgments about discrete details like an off-color remark.
This is another thing I believe to evil. The "destruction of privacy in America," to shamelessly gank the subtitle of Jeffrey Rosen's excellent The Unwanted Gaze. More on this to come.
That's not true. That last part is the definition of evil. Callous indifference and sadism are both evil, albeit in varying degrees and in different ways. That you've so let your guard down to evil as to not be shocked by such a baldly malicious statement literally turns my stomach. I am sickened by you and all that you represent. I can imagine you wearing a powdered wig, rouge, and feeding living lizards to yourself for the sole purpose of pleasing your foul, cavernous belly. I've seen the face of evil, and it is you. That said, I have no doubt that you also have your moments, and your dress sense is both irreverent and fresh.
Suffice it to say, Johnny Depp is rad. There's no getting around this. He always was. I'd just like to point out that I've been a Depp man since the 21 Jumpstreet era. This gives me the inner strength I need to get through the day. Soon, he will be massively large, much like "the sun, moon, and stars." (While you're at it, please "take these chains from my mi-i-i-ind.") Orlando Bloom was very good. Ring a ding. When is Geoffrey Rush not baaaaaad, as in bad means good, not bad meaning bad? In fact, the entire cast was really good. A lot of solid character actors, some without eyes. I've never liked Jonathan Pryce, but managed to convince me in the role of a simpering wimp.
Yeah, I'm not even going to point out that Keira Knightley is unambiguously luminescent presence in the movies.
Elvis Mitchell has a mega-crush on her that is getting embarrassing for all concerned. First, this: "Mr. Verbinski's staging is as vertiginous as an amusement park ride and places the wiry and beauteous tomboy Keira Knightley at the center. Her physical assurance suggests what Nicole Kidman might be like if she didn't spend so much time coughing tragically into handkerchiefs in an equally tragic pursuit of important roles." This is artfully done. He masks the ogling with a devastating aside about Nicole Kidman.
And then: "Ms. Knightley is strident and confident in her movement, an ability that makes her all the sexier and alluring, which is fortunate, given that her acting skills aren't quite as devastating as her looks." This is an eighth grade tactic. It's just not cricket. Right, so she's a really bad actor. Of course. The thing is, she's dope. She's just plain dope. There's no getting around it. The performance was excellent. Mitchell is yet again trying to mislead us into believing that he doesn't have an old man crush on Knightley, who was born in '83. (When I was three. I was already wearing shades and playing "Who Can It Be Now?" on an electric keyboard. That's not true. Who can it beeeeee now?)
I have to say, Portman was holding it down for a decade. She was the celebrity crush of all discerning thin-lipped men, and she established the raw power of the, and these are unfortunate and unnuanced tropes I'm about to introduce, stylish and slender (and brainy) Semitic "babes" who will redeem this civilization (the "West" broadly conceived, but the Mosaic aspect in particular: Israel and diaspora redoubts in America, France, South Africa, etc.) forever from any and all charges of being less than the greatest thing/place ever. This is Natalie Portman as a function of USA symbology. The 2002 MTV VMA awards were the right time for the counter-attack to begin. But Keira Knightley has snatched the mantle, and she's a limey. Good grief. There is no sense in which she's even Mediterranean rim, let alone Levantine. This is a world-historical crisis.
In the interests of full disclosure, I should note that I've even seen Where the Heart Is and Anywhere But Here. In fact, I've seen Anywhere But Here more than once, and I think I saw both of them the day they opened. (Mars Attacks, Beautiful Girls, and, of course, The Professional, are clearly just good movies, so I think that's legit). Whatever, man, that's loco. I'm not even going to try to justify that. Alright, I will. I am pretty indiscriminate when it comes to movie viewing.
Might I add that Jena Malone, another veteran of Lifetime movies that somehow made it to theaters, has suddenly become really, really good?
So yes, I am a loyalist. I'd have a dodgy rifle strapped to my back in Aragon, absolutely. And even I'm wavering on the Knightley question.
Back to Depp. Part of what is so cool about the man is that he lives in France. When it comes to symbology, I obviously am against France as a solidarist, chauvinistic, totalizing, anti-American fleshpot; that said, I'm down with France on nonconceptual grounds. As far as I know, Depp's decision to lay his dome there is not an ostentatiously anti-American gesture, and thank heavens for that. Even if it were, it's not clear that I'd be enraged, at least in his case. Contradictions are inescapable, and we should be careful in judging the personal decisions in others, particularly when we lack the rich context that we need to make responsible judgments about discrete details like an off-color remark.
This is another thing I believe to evil. The "destruction of privacy in America," to shamelessly gank the subtitle of Jeffrey Rosen's excellent The Unwanted Gaze. More on this to come.